CUTBYBEA
atlanta-based editing by
beatrise “BEA” ziedina
(BE-AH-TRIS ZEE-AH-DEAN-YA)
Cutting together characters and stories has always been my way of showing audiences it’s okay to feel, to be raw, to be free. Like Cesar A. Cruz said, “Art should comfort the disturbed and disturb the comfortable”—that’s exactly what I aim for.
Nice to meet you, I’m Bea, a film editor who embraced editing as an invitation to understand myself and others more deeply through the art of storytelling.
Make it stand out
Pushing the cut beyond simply “putting shots together,” I shape emotional worlds audiences can step into. Whether I’m crafting a scene that leaves you comforted or one that leaves you speechless, my edits are designed to make every frame unforgettable.
Check out my most Recent Work.
JANUARY (JANVARIS)
Feature Film
Assistant Editor,
Digital Campaign Editor
MARIA’S SILENCE (MARIJAS KLUSUMS)
TO BE CONTINUED. COMING OF AGE (TURPINAJUMS. PIEAUGSANA)
Feature Documentary
Assistant Editor, Trailer Editor
the work
Feature Film
Assistant Editor
neon spring (neona pavasaris)
a postcard from rome (pastkarte no romas)
Feature Film
Assistant Editor
sisters (masas)
Feature Film
Assistant Editor
CINEMA EISENSTEIN (KINO EIZENSTEINS)
Davis Simanis, Director - Masterclass
Editor
Juris Strenga, Actor - Masterclass
Editor
OTHER WORK
Miniseries
Assistant Editor, Editor
imdb | Digital Campaign 1 | 2 | 3
Feature Film
Assistant Editor
Documentary Series
DIT, Editor
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Bea — or “Honey Bea,” as the cast and crew affectionately call her — is someone I’ll work with any chance I get. She has become a true staple, a pillar, a foundational part of any filmmaking I do. Her skill is evident in every cut she makes, but what sets her apart is who she is when the pressure’s on. When it’s late or a deadline is looming, Bea’s light never dims. Her morale doesn’t falter; her energy always serves the story first. That’s the kind of person I want to keep around me. The success of any one person’s work is really the talent, care, and generosity of the people they bring onto a project. Bea embodies that. She has an open invitation to any project of mine — if she’ll have me.
Jae Gilyard
Writer/Director
q&a
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Beatrise specializes in editing narrative films, television episodes, and digital content for streaming and social platforms. Her editing experience spans dramatic features, short films, branded content, and documentary projects, giving her a versatile edge in post-production.
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Beatrise is proficient in industry-standard editing software such as Avid Media Composer, Adobe Premiere Pro, and DaVinci Resolve. She also uses advanced post-production tools for color correction, sound sync, and visual storytelling to deliver polished, professional edits.
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Beatrise approaches every edit with the story first. She focuses on rhythm, emotional beats, and seamless transitions to heighten drama, clarify narrative, and keep audiences engaged from start to finish.
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Her editing style combines technical precision with a strong narrative instinct. Beatrise is known for her collaborative spirit and for shaping footage into emotionally resonant stories that reflect the director’s vision while elevating the material.
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Under pressure, Beatrise maintains a calm, solution-oriented mindset. She streamlines her editing workflow, prioritizes key story moments, and communicates clearly with directors and producers to meet deadlines without sacrificing quality.
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Filmmakers can reach out through her contact form or email to discuss editing needs. Beatrise offers both on-site and remote editing services and welcomes collaborations with directors, producers, and independent creators.
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Beatrise is currently open to editing feature films, short films, episodic series, and high-quality digital content. She’s especially interested in story-driven projects that challenge her creatively and allow her editing skills to shine.